Being a Printer Fellow at the Tamarind Lithography Workshop, Robert Rogers was a respected expert in his field. He was a demanding instructor and his classes were challenging. But they were always my favorite classes at NSCAD.
I learned so much from Robert, and he remains an influence on my work to this day.
The stone lithography printing process is complicated, but I loved how ink lines picked-up the litho stone's surface texture when transferred to paper.
Ink line, stone surface detailPeasant Bachannal [sic]After Bruegel and Titian, 1979/80 (25.0x20.5) BAT | AP 1-4 | 1,8,9/10Bug and Hand1979/80 (23.5x19.0) BAT | AP 1-3 | 1,3-10/10Sweater1979/80 (20.0x15.0) BAT | AP A-C | 1-10/10City Blocks1979/80 (25.0x19.0) No BAT | No AP | 1,2/2What About Me?1979/80 (25.0x20.5) BAT | No AP | 1-15/15Peasant BlocksAfter Bruegel, 1979/80 (25.0x20.0) No BAT | No AP | 2-4/4Two WomenAfter Matisse, 1979/80 (25.5x20.5) BAT | AP 1-3 | 1,5,7,9,10/10Moibus [sic]1979/80 (25.5x20.0) BAT | AP 1-4 | 3-7,9,10/10Three Arcs1979/80 (20.5x10.0) BAT | No AP | 1,2,4,5,7-10/10